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Solomon and Alana 2001
Workshop Home
Updated 29 Aug 2002 11:50 by Dave Tran |
The Queen's Swing Club was proud to present a Lindy Hop
workshop with two of Toronto's best dancers and teachers,
Solomon and Alana! The workshop was held on Saturday, January
20, 2001 at Queen's
University.
Thank you to Solomon and Alana for a most memorable time at the
workshop! The weekend was a blast! Here are the workshop notes.
About Solomon and Alana
Solomon and Alana in front of Barcode
photo by Jody Glanzer
A jazz and swing musician, Solomon Douglas first studied
partner dance eight years ago. A native of Ottawa, Alana Hock
has studied, performed, and competed in dance for 14 years.
They have learned their Lindy Hop from some of the best
dancers in the world, including Frankie Manning, Steven
Mitchell, the Rhythm Hot Shots,
Bill Borgida, Paul Overton and Sharon
Ashe.
Alana and Solomon are both inspirational Lindy Hop performers
and teachers. They look forward to bringing their passion and
excitement for Lindy Hop to Kingston for the first time.
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Important Information for Workshop Participants
Updated 29 Aug 2002 22:36 by Dave Tran |
The workshop is nigh! Here's what you need to know:
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Registration begins at 9:00am.
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The Robert Sutherland Room is on the 2nd floor of the JDUC.
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The lesson starts at 9:30am sharp so be prepared to dance at that time!
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There should be enough room for your coats and boots in the hallway
just outside of the Robert Sutherland Room.
What to bring:
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A clean, comfortable pair of shoes that will grip the floor when
you need it but will allow you to spin on the spot and swivel.
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A few shirts. You will sweat! There is a washroom attached to the
Robert Sutherland Room that will allow for quick changing.
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A towel. Same reasons as above.
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A bottle of water. You'll get thirsty. You can refill them at the
first floor of the JDUC by the entrance.
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A notebook. You'll learn more than you can recall next month.
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Lunch. Mmm.
Class schedule and descriptions
Saturday, January 20, 2001
9:30 - 11am Lindy Hop Connection and Blues
This class is open to everybody. We'll start right in with
the important stuff, namely the lead-follow connection, without
worrying about footwork. (It's too early in the morning for
footwork.) At the same time, you'll get an introduction to blues
dancing: what to do when the music gets really slow and groovy.
11:15am - 12:45pm Lindy Hop Fundamentals
This class is open to anyone who attended the preceding Connection and
Blues class. Building on what we covered in that class, we'll
work intensely on the most important of lindy hop figures, focusing on
the lindy circle and the swing out. This will be a very important
class whether you're an absolute beginner or a seasoned lindy
hopper.
1:45pm - 3:15pm Intermediate Lindy
Hop
You've been lindy hopping for a few months, you feel comfortable
with swing outs, lindy circles, tuck turns, and basic Charleston steps;
you attended both morning classes and you're craving more. This is
the class for you.
3:30pm - 5pm Moving On
You have at least six months experience taking lindy hop classes and
dancing socially. You can comfortably vary six-counts and
eight-counts, with good connection, musicality, and style. You
attended the Connection class, the Fundamentals class, and the
Intermediate class, and now you're looking for a serious challenge.
Dance
Everyone who registers for 2 or more classes will receive a free ticket
to a dance on Saturday night with Corner Pocket! Corner Pocket is
a band originating from Toronto, and includes Solomon on Piano and our
own Chris Arcand on bass. They specialize in playing music for Lindy
Hoppers, so the dance is sure to be a great time. The dance starts at
8:30pm, and goes until everyone is completely danced out!
Admission to the dance will cost $5 for Queen's Swing Club members,
and $7 for non-members, at the door only.
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Workshop Notes
Updated 29 Aug 2002 22:33 by Dave Tran |
This page summarizes what we taught at the Kingston lindy hop workshop on
January 20, 2001.
Lindy Hop Connection and Blues
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Compression (her hands against his shoulders): he leads shift of weight
from left to right, and walking forward and back, without music.
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Neutral connection (open position, two-handed hold): same exercise
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In closed position (face-to-face, neutral connection): same exercise
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With music, in open position, two-handed hold, with compression:
leading boogie-sits (fishtails) transferring weight from one foot to
the other, and mixing in some quick-quick steps and some boogie-sits
that stay on the same foot.
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Sequence: starting in open position, two-handed hold, using
compression: sixteen counts of bluesy fishtails, then gradually switch
to neutral connection and lead into closed for eight counts, then eight
counts of bluesy fishtails in closed.
Lindy Hop Fundamentals
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8-count closed basic, with full turn.
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Swingout from closed
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Swingout from open
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Lindy circle
Intermediate
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First phrase: 8-count basic side-by-side charleston, skip-up leading
into crossover charleston, continue crossovers, and then end crossover
charleston with big kick (like finally reaching the completion of the
skip-up)
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Second phrase: 8-count double under-the-arch from closed, 6-count into
closed, 6-count send-out, 6-count change of places (without a
rockstep), 6-count rock-step with free inside turn
Moving On
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Swingout from open ending with shine for follower: ball-change on
and-7, 4 twists right-left-right-left on 7-8-1-2.
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Swingout ending with shine for leader: kick-ball-change on 7-and-8,
triple step right-left-right on 1-and-2
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Swingout ending with both partners doing their shine at once
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Lindy circle
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Texas Tommy from closed (with optional extra underarm outside turn)
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6-count into closed, starting with rock-step and going to
"teapot" position
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6-count tuck-turn starting with break forward for him, rock-step for
her (to continue the clockwise momentum) and ending in two-handed
crossed-handed hold (left over right)
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6-count change of places (starting with rock-step, ending with her
standing behind him, still in two-handed hold
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6-count banana with free inside turn
Thanks to Solomon Douglas and Alana Hock for providing these notes.
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